Showcase (2003)

The installation “ Showcase “ consists of a showcase display cabinet that was “ preserved” by covering it with layers of rusted tin. The ornaments and trophies that are displayed in the case were treated with a rust pigment rendering an archaeological quality to the objects – the case and the exhibits look as if they were dug up, as archaeologists would unearth our history somewhere in the future.

At the bottom of the showcase a small TV Monitor is placed, with the image of a small silver trophy being cleaned over and over again – a continuous action ( this cleaning action is also repeated over again in history).

Above the showcase an image of the Voortrekker monument is projected. The image isn’t static, but fades and brightens rhythmically – a reference to the ebb and flow of events in history. The images on the TV screen and on the wall are in contrast to the tangible, decayed quality of the showcase and its content. These images almost seem more spiritual, because they are intangible. This electronic technology will also become part of history in the long run and will therefore be another archaeological layer. On top of the showcase stands a clock with a rusted outer layer. The clock and the rust are symbolic of the battle against time.

The installation becomes an indoor monument a metaphor for the universal history of ordinary people – their politics and religion, their treasuring of valuables.

The tin can was manufactured for the purpose of preserving food. In this art work the rusted tin is used to “ preserve” something transient. Rust also means to return to the original matter.